8:00 ‐ 10:00 am Ogle Center Lobby
8:00 ‐ 10:00 am Ogle Center Lobby
8:00 ‐ 8:30 am Ogle Center Lobby
9:00 am ‐ 1:00 pm Hoosier Rooms and University Center
9:30 ‐ 11:30 am Stiefler Recital Hall
Printmakers are primed to be in tune with the act of collecting. We are known to work in series, creating images that can be thought of as multiple originals. In much the same way, a collection of objects can be compared to these multiples, as the gathering of a certain kind of item reflects differences and unique variables within a genre. Not only is one able to acquire a wealth of prints as a printmaker, but one can also acquire a wealth of objects as a collector. In some cases, those “object collectors” happen to be printmakers. The satisfaction of creating and collecting multiples is a trait that we wholeheartedly understand. The printmakers that we have chosen to highlight in this panel have a need to fulfill that repetition and pattern in their personal spaces. What do these different collections say about the work, and how do they reflect or reveal the way we tell our own unique stories? In our interviews and investigations, we hope to better understand our printmaking community and how they interpret their concrete and collectible surroundings in a digital world.
9:30 ‐ 11:30 am Stem Concert Hall
Gain new insights into the relevance and importance of contemporary printmaking through the panel discussion between a maker/teacher, an art historian, a gallery director/printmaker and a graduate printmaking student.
9:00 ‐ 10:30 am Knobview Hall, room KV025
This demonstration will reveal Lichliter’s method for printing lithography on wood, a dynamic process that allows for unique aesthetic, green printing and inexpensive access. Being a largely new process to the United States, the process is still rooted in experimentation and beckons brave and innovative practitioners.
9:00 ‐ 10:30 am Knobview Hall, room KV125
Hot stamp foil adds an unmatchable luster and light to prints and other 2D art works; it adds movement as well as innumerable colors textures and patterns to enhance an artist's work. This demonstration will review ways to work with foil in print shops with access to hot plates, or even at home with a tandard iron. Foil imaging is relatively new to printmaking, however, the attention grabbing vibrancy and pallet variety allow an artist to add details that have potential to compete in modern and ever changing visual culture.
11:00 am - 12:30 pm Knobview Hall, room KV025
Learn to create photo-mechanical intaglio plates with no specialized equipment, emulsions, or darkroom. These etchings wield quality photographic results, but in a fraction of the cost, time, and toxicity.
11:00 am - 12:30 pm Knobview Hall, room KV125
Learn how to create a rich, dimensional, and full color photographic prints using beeswax and cold wax medium toner transfers. This adaptable process lends itself to collage, artist books, as well as large-scale print installation.
11:00 am - 1:00 pm Traffic circle between Knobview Hall and University Center
11:45 am - 1:00 pm UC 127
12:00 - 1:15pm Knobview Hall, room KV125
12:00 ‐ 2:00 pm Pat Harrison Fine Arts + Design Gallery, Ivy Tech Gallery, 8204 Hwy 311 Sellersburg, IN 47172
1:15 - 3:15 pm Stem Concert Hall
2:00 ‐ 5:00 pm 324 East College Street, Louisville, KY 40203
2:00 ‐ 5:00 pm 2132 Frankfort Ave, Louisville, KY 40206
2:00 ‐ 5:00 pm 954 E. Kentucky St. Louisville, KY 40204
2:00 ‐ 5:00 pm 1000 Barret Ave, Louisville, KY 40202
2:00 ‐ 5:00 pm Kaviar Forge and Gallery, 1718 Frankfort Avenue (rear), Louisville, KY
7:00 ‐ 10:30 pm IU Southeast Horseshoe Amphitheatre (behind Knobview Hall)